EXPERIOLATION by Kateryna Snizhko



The series “Debris" is an observation of artistic trash, garbage, leftovers and waste as a result of the process of artistic practice and creation. 

In this experiment, I made a series of photographs of the collages unconsciously made regardless composition or intention of the outcome on the test paper at risography workshop. 

I’ve been collecting test prints exploring the process of reusable artworks. All failed prints were used and reused again as test paper by several artists and have appeared as new unintentional and unpredictable artworks. 

I need your help. Florina


Archived notes in different languages found in several countries.

These are not just images, but artefacts: they inherit a personality, privacy, gender, addresses and phones, personal preferences, social affiliation (diversity), and even sexual dialogues. 

By appropriating someone’s individual memories I also access the energy of the pieces, which I convert into a sound using a specially created algorithm. 

As water has an ability to memorize vibrations, I transferred the music into the water drops.  I received a visualization of the information in the frozen samples.



A coincidence is an occasion when two or more similar things happen at the same time, especially in a way that is unlikely and surprising, in other words, it is a remarkable concurrence of events or circumstances that have no apparent causal connection with one another.

In my investigation of the coincidentology in the imagery, I am using the experience of coincidental creation. The series was made as a result of the computational malfunction that occurred during photo editing. 




TINI (from Ukrainian “shadows") is a three-dimensional collage of memory traces retained and revived. The installation comprises the outlines of photographs, shadows and whispering, brought together as an act of reminiscence.

The infinite script


“The infinite script”  is an alternative way to look at a human being. It is an uncommon representation of a nature and specifics of mental and behavioural algorithms. This work is an attempt to visualise a functioning organism as a mechanism supplemented with a human intelligence that uses algorithms. The visibility of the algorithms is created by a computational language and visual information, which are united in one endless artistic research. 

A self-development of an artist is a key point of this audible script. It has been performed as a visual monologue of the artist together with the video projection.


Printed reflections


The book is available at Anzenberger Gallery bookshop